RaveBookPageOutstanding ... Another tale of a dynamic family and the aftereffects of intergenerational racist violence, but these new characters have voices and stories all their own.
Shane McCrae
PositiveBookPageMcCrae explores memory itself and what happens when violence and deception warp the brain’s ability to maintain clear distinctions between fact and fantasy ... McCrae’s work becomes less about arriving at any irrefutable conclusion and rather about reaching a point where we are willing to concede the impossibility of truth, even as we continue to reconstruct all we know in an attempt to get as close as we can.
RaveBookPageSomebody’s Daughter is part Midwestern Black girl bildungsroman and part family saga about the rippling effects of incarceration ... This book’s title is deceptively simple. In African American Vernacular English, it can be a euphemism for a woman in danger; but when Ford reunites with her father, it becomes a revelation of the author’s self. Finally, it makes clear that the life one builds in the aftermath of a tragedy can, in time, coexist with the life left behind ... Perhaps the greatest lesson of Somebody’s Daughter is that a Black child marked by poverty and sexual violence can create multiple spaces in which to thrive—and that anybody’s child can do the same.
Natasha Trethewey
RaveBookPageLike her earlier collections, Memorial Drive is written with a poet’s keen ear for language and Trethewey’s knack for historical detail and retrospection. Using descriptions of photographs, dreamscapes, memories of historical events (such as Gerald Ford’s pardon of Richard Nixon in 1974) and even transcripts of the final phone calls between Turnbough and Grimmette, Trethewey builds a narrative that asks: How does one get intimately close to violence and still survive? Memorial Drive proves that the answer is neither simple nor singular, and memory is only one of the avenues we travel in our quest to remember those we’ve lost.
