PositiveMusic and Literature... massive, intimidating, and disturbing ... it does stand atop its predecessors as a unifying lintel of Krasznahorkai’s work—and that knowledge of its predecessors greatly enriches the finale ... resists coherence and interpretation as much as anything by Beckett or Tzara (albeit more subtly), and so it vexes attempts at analysis ... [Krasznahorkai\'s] longest book by some measure, his funniest, and probably his darkest.
