PositiveNew York Journal of Books\"Simon Stålenhag’s The Electric State matches the notable Swedish artist’s futuristic digital paintings with an original story to produce an awe-inspiring vision of a species committing suicide, perhaps to be reborn as something new ... The paintings provide snapshots of this apocalyptic road trip and are the main event; the text illustrates the paintings far more than the other way around. It’s an interesting reading experience, as the artwork to an extent both takes over and provides a starting point for the reader’s imagination ... The result is bigger than the sum of its parts—paintings with narrative, postcards of the apocalypse ... There is very little in way of plot or characterization, and none of the plot questions appears to be answered; overall, the story is thin and even a bit flat. It seems to function similarly to the paintings, there to make an impression and evoke a purely emotional response, while providing some backstory for this dying world ... In the end, The Electric State is a striking and strangely compelling work of science fiction gothic. Providing a series of snapshots of an alternate Earth of yesteryear, it tells the story of how that world ended.\
