Penny, an artist, has lived in the same apartment for decades. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence. Surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. But as the days start to blur together, Penny--with a growing sense of unrest and distrust--starts to lose her grip on the passage of time and on her place in the world.
... another masterful example of high-concept psychological horror. Laid out in captivating, first-person prose ... Through Reid’s spare, fragmented passages, the reader is immediately situated deep within Penny’s solitary world: hours, days, perhaps weeks pass in a heartbeat. We know only what she sees and experiences ... Reid confronts that which is unavoidable for us all: ageing and death. His deft hand at plot and atmosphere calls to mind the films of David Lynch or the ‘strange tales’ of English author Robert Aickman. We Spread is a fast-paced, engrossing thriller that will hold you in its clutches from the opening right through to its stunning conclusion.
I adore the way Iain Reid can make you feel so clueless and enthralled at the same time. During most of We Spread I had no idea what was going on and it was completely fine by me. The way he writes, even the most horrifying feeling, is soothing. I found myself trying to read slower as I neared the end because the experience passed too quickly.
Seasoned novelist Reid combines magnetic character development with clipped, eerie prose in this masterfully crafted psychological thriller that will keep the reader guessing until the very last word on the final page.